Bobaceramics

A JOURNEY INTO ARTEFILETICS

My artistic practice follows the philosophy of artefiletics— a creative approach that differs from traditional art therapy. While art therapy focuses on emotional healing, artefiletika centers on the experience of creation itself. It invites participants to fully immerse themselves in the tactile, meditative process of working with clay, resulting in a tangible, handmade piece of art. My role is to guide each person, offering them the technical support they need to bring their vision to life. It’s about empowerment, accomplishment, and the joy of creation.

Some visitors have been so enchanted by the experience that they traveled from other towns — even by train — and left inspired to continue creating at home. In fact, a few of them were so captivated that they bought their own kilns to pursue ceramic art. It fills me with joy to see friends, families, and small groups come together to create, laugh, and connect. Many of them return again and again. I’m also open to hosting intimate team-building sessions, where colleagues can bond through the shared experience of creation. Since ceramic art requires two firings, the process becomes a journey. The first firing, known as "bisque firing," hardens the clay at a lower temperature, preparing it for glazing. During their second visit, clients get to decorate and glaze their pieces, choosing from a variety of colors and finishes. Their excitement grows as they anticipate how their creations will transform during the second high-temperature firing. I then deliver the final, polished product into their hands or send it to them by mail.

ATTELIER

Welcome to my creative space — a charming studio nestled in the peaceful corner of my garden. From the very beginning, I dreamed of working in an environment where nature and art intertwine harmoniously. This dream is now a reality, offering a space where inspiration flows freely. During the warmer months, I also open up a spacious 6-meter gazebo with a long communal table and breathtaking views of Austria.

THE CREATIVE PROCESS

Every project begins with a vision. I sketch and design of each shape, focusing on clean, geometric lines that convey simplicity and elegance. To achieve precision and symmetry, I use plaster — a material that allows for fine detailing. Once the master model is ready, I pour it into a plaster mold. These molds serve a dual purpose: they allow for the pressing of slabs of clay into the form or the pouring of liquid clay or porcelain. Molds are essential when I want to replicate a shape multiple times with very thin walls, but each piece still is finished by hands to maintain a handmade appearance and artisanal quality.

My heart lies in high-fire ceramics, which are fired at temperatures above 1240°C. To reach this temperature in the kiln it takes 15hours and then cooling process often takes even longer.Why do I fire it so high if some available ceramic materials are to 1000degrees? Because high-fired ceramics possess incredible strength, durability, and timeless beauty. Unlike low-fire pottery, these pieces have a unique surface texture and finish that can only be achieved through such intense heat. Every glaze reacts differently to the high temperature, producing subtle variations and unexpected, one-of-a-kind surface effects. It’s this unpredictability and natural beauty that makes each creation truly special.